**Jɔn ye dɔnkilidala fɔlɔ ye diɲɛ kɔnɔ?** Dajirali: Misikili kɛra hadamadenw ka siwili yɔrɔba ye kabini waati jan. dɔnkilida, dɔnkilida yɔrɔ koloma dɔ, o jiginna san kɛmɛ caman kɔnɔ walasa ka kɛ seko ni dɔnko suguba ye min diyara mɔgɔw ye diɲɛ fan bɛɛ{., n’o ye ko dɔnkilidala fɔlɔ tun bɛ se ka kɛ cogo min na, n’i y’a jateminɛ ko dɔnkili bɔyɔrɔ fɔlɔ ye{2} ye. Kanko jiracogo cogoyaw, dɔnkilidala kɛrɛnkɛrɛnnenw jira waati danfaralenw bɛɛ la, ani laban na, mɔgɔ min bɛ se ka dɔn ko dɔnkilidala fɔlɔ don diɲɛ kɔnɔ. dɔnkili suguya fɔlɔw la: dɔnkili bɛ da a la ko waati jan sani kan sɛbɛnnenw ka na. **archaeological sɔrɔw** la, o b’a jira ko an bɛnbaw bɛ kumaɲɔgɔnya kɛ ni kanko caman ye, ani melodikiw{5}. intertwined with human rituals, ceremonies, and social interactions. For instance, in ancient tribal communities, singing played a significant role in religious ceremonies, storytelling, and the preservation of cultural heritage. Furthermore, it is important to note that early singing might have had different purposes and techniques than contemporary singing. The vocalizations were probably less refined and more instinctive, as they primarily aimed to convey emotions,》Primal Instincts, ani ka mago jɔnjɔnw lase. Dɔnkilidala kɔrɔw ni kanko laadaw: I n’a fɔ hadamadenw ka siwiliw y’a daminɛ ka bɔ ani ka ɲɛtaa sɔrɔ, dɔnkilida ye cogoya dɔ ta min labɛnna ka ɲɛ ani min bɛ kɛ nuanced ye{. an bɛ se ka daliluw sɔrɔ dɔnkilidala kɔrɔw ni kanko laadaw kan diɲɛ kɔnɔ. **indian classical musique* la, a bɛ fɔ ko a bɛ se ka kɛ ko a bɛ se ka ɲɛnamaya kɛ ni a ye. A bɔra Vedas la, sɛbɛn kɔrɔw bɔra san 1500 ɲɔgɔnna na Krisita tile ɲɛ. misali la, dɔnkiliw bɛ sɔrɔ minnu bɛ fɔ dɔnkili kɛrɛnkɛrɛnnenw na ani a bɛ jate dɔnkili fɔlɔw dɔ ye minnu sɛbɛnnen don sɛbɛncogo la. **Gɛrɛkikan ni Romɛkan na*: Gɛrɛsi ni Romɛ fana ye ɲɛtaa nafamaw jira dɔnkilida ni dɔnkilida la{16} Dɔnkilida, tuma caman na, fɔlifɛnw i n’a fɔ Lyre. Gɛrɛsi dɔnkilidala tɔgɔba dɔw tun bɛ Sappho la, min tun bɛ dɔn a ka lyric poyi fɛ, ani Terpander, min tun bɛ bonya da a kan ko a ye lyre wolonwula don a la ka Sparta. o cogo kelen na, Romɛkan fɔlikanw tun ka di mɔgɔw ye sigida lajɛw senfɛ, theatric performances ani ceremones** china as a corts a cours Kanko laadaw, kɛrɛnkɛrɛnnenya la Tang ka masaya waati la ({21}} CE). dɔnkilida la Mansamara la, o tun bonyalen don kosɛbɛ, ani dɔnkilidala ŋanaw bonyalen don. kiritigɛso dɔnkilidala tɔgɔba Gao Jichang hakili bɛ to a ka yɔrɔ danmadɔw la ani a ka se ka dɔnkili caman fɔ waati kelen na{{24} troubadours, poet-musicians who sang about chivalry, courtly love, and other subjects. Troubadours played a vital role in spreading songs and influencing musical developments in Europe. **Religious Singers**: Throughout history, religious institutions have contributed significantly to the development of singing. Religious singers, such as Gregorian chanters in Christianity or the muezzins in Silamɛya, ye jɔyɔrɔba ta bato ni diinɛko la. kanko fɛɛrɛw ni kokuradonniw na: San kɛmɛw tɛmɛnen kɔfɛ, kanko fɛɛrɛw ni kokuradonniw ye dɔnkilida seko cogoya. ladamucogo danfaralenw ni dɔnkilida laadaw di u ka dɔnkilidacogo kɛrɛnkɛrɛnnenw ma. **Kɔlɔsiliw ni fɛɛrɛw** minnu bɛ sɔrɔ san kɛmɛ 17nan na, olu ye 17nan ye, o ye ko ye min bɛ se ka kɛ Itali jamana na san kɛmɛ 17nan na. Agility, ani expression in vocal performance. dɔnkilidalaw i n’a fɔ Castrati Farinelli ani Sopranow i n’a fɔ Maria Callas ye nin fɛɛrɛ in lase prominence. **Yodeling**: Yodeling, kanko fɛɛrɛ min bɛ jira ni sɛgɛsɛgɛli teliya ye disi ni kunkolo kan, o ju bɔra Erɔpu kuluw la. Nin dɔnkilidacogo kɛrɛnkɛrɛnnen in ye dɔnkilidacogo ye min bɛ fɔ kosɛbɛ, Music. **throat Singing**: Throat Singing, n’a bɛ fɔ fana ko dɔnkilida dafalen, o ye fɛɛrɛ kabakoma ye min kɔnɔ mɔgɔ kelen-kelen bɛɛ bɛ fɔkan caman bɔ waati kelen na. Nin kanko fɛɛrɛ danmadɔ in min daminɛna Cɛma Azi jamanaw na, n’a bɛ fɔ hali bi maraw kɔnɔ i n’a fɔ Tuva ani Mongolia bi. **Sɔrɔli fɔlɔ min bɛ kɛ diɲɛ kɔnɔ - min ye dɔnkilidala ye min bɛ se ka kɛ fɛn ye min bɛ se ka kɛ fɛn ye min bɛ se ka kɛ fɛn ye min bɛ se ka kɛ fɛn caman ye. of vocal traditions and the early origins of singing. It is important to note that **there is no definitive answer** to this question. Singing has evolved as an innate aspect of human culture, adapting and developing in various forms across different societies and eras. While we cannot identify an individual as the absolute first singer, it is safe to say that the first singer was likely an ancient human who instinctively used kanw ka dusukunnataw jira, ka kumaɲɔgɔnya kɛ ni ɲɔgɔn ye, ani ka jɛkulu ka baaraw kɛ. dɔnkilida, a cogo fɔlɔ la, ka kɔn siwiliw sigili ɲɛ ani tariku ko kɛlenw sɛbɛnni. A bɔra kɛnɛ kan i n’a fɔ hadamadenw ka fɔcogo dabɔlen ani diɲɛ bɛɛ ka se ka kɛ ni u ye. kuncɛcogo: a ka laadalakow, n’a ka laadalakow caman ani a ka fɛɛrɛw ye minnu bɛ wuli tuma bɛɛ, hali ni an tɛ se ka pinɔni sɔrɔ{47 la, hali ni an tɛ se ka pinɔni kɛ ka tɛmɛ o kan. Diɲɛ, an bɛ dɔnkilida nafa banbali dɔn iko hadamaden ka ko kɛlen jɛlen. fo ka na se bi ma, dɔnkilidalaw bɛ ka taa a fɛ k’an lafili n’u ka dɔnkiliw ye, ka laada dɔ ta min tɛ waati bɔ, min bangera an ka waati tɛmɛnenw na.